
Cosima Wagner

In 1857, after a childhood largely spent under the care of her grandmother and with governesses, Cosima married the conductor Hans von Bülow. Although the marriage produced two children, it was largely a loveless union, and in 1863 Cosima began a relationship with Wagner, who was 24 years her senior. They married in 1870; after Wagner's death in 1883 she directed the Bayreuth Festival for more than 20 years, increasing its repertoire to form the Bayreuth canon of ten operas and establishing the festival as a major event in the world of musical theatre.
During her directorship, Cosima opposed theatrical innovations and adhered closely to Wagner's original productions of his works, an approach continued by her successors long after her retirement in 1907. She shared Wagner's convictions of German cultural and racial superiority, and under her influence, Bayreuth became increasingly identified with antisemitism. This was a defining aspect of Bayreuth for decades, into the Nazi era which closely followed her death there in 1930. Thus, although she is widely perceived as the saviour of the festival, her legacy remains controversial. Provided by Wikipedia
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The Wiener Library for the Study of the Holocaust & Genocide (London)
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The Wiener Library for the Study of the Holocaust & Genocide (London)
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The Wiener Library for the Study of the Holocaust & Genocide (London)
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by Wagner, Cosima, 1837-1930 1837-1930
Published in: Die Tagebücher 2. 1873 - 1877. - 1. Aufl. - 1982. - S. 623 - 1269
Published in: Die Tagebücher 2. 1873 - 1877. - 1. Aufl. - 1982. - S. 623 - 1269
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by Wagner, Cosima, 1837-1930 1837-1930
Published in: Die Tagebücher 1. 1869 - 1872. - 1. Aufl. - 1982. - 620 S.
Published in: Die Tagebücher 1. 1869 - 1872. - 1. Aufl. - 1982. - 620 S.
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Other Authors:
“...Wagner, Cosima BeteiligteR...”
Rezension (FAZ)
Rezension (FAZ)
Library:
Topography of Terror (Berlin)
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Other Authors:
“...Wagner, Cosima, 1837-1930 1837-1930 Gefeierter...”
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