Audiences of Nazism : using media in the Third Reich / edited by Ulrike Weckel
"Traces of audience responses to propaganda in the Third Reich are particularly sparse given that the public sphere was so highly regulated. By taking an interdisciplinary and innovative approach to found historical sources of audiences' responses, the contributions to Audiences of Nazism...
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| Outros Autores: | Weckel, Ulrike (Editor) |
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| Formato: | Online-Resource |
| Idioma: | English |
| Publicado em: | New York ; Oxford : Berghahn Books, 2024 |
| Colecção: | New German historical perspectives
volume 13 |
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| Acesso em linha: | lizenzpflichtig lizenzpflichtig lizenzpflichtig |
| Sumário |
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| List of Figures and TablesAcknowledgementsIntroduction: Media and Their Users in Nazi GermanyUlrike WeckelChapter 1. To Constantly Swim against the Tide Is Suicide : The Liberal Press and Its Audience, 1928-1933Jochen HungChapter 2. Active Audiences: Stürmerkästen and the Rise of Der Stürmer s Activist ReadershipHannah AhlheimChapter 3. Reading Fake News: The Röhm Putsch, : The Hitler Myth and the Consumption of Political News under the NazisJanosch SteuwerChapter 4. Beyond Approved Reactions: Assessments of the NSDAP s Nuremberg Party Rallies in Diaries and Letters, 1933-1938Annina HofferberthChapter 5. Call and Response: The Creation of the National Socialist PublicPeter FritzscheChapter 6. Advertising and Its Audiences in Weimar and Nazi GermanyPamela SwettChapter 7. Concert Programs, Ideology, and the Search for Subjectivity in National Socialist GermanyNeil GregorChapter 8. The Entartete Kunst : Exhibitions and Their AudiencesBernhard FuldaChapter 9. Amateur Films from National Socialist Austria as Visual Responses to Nazi PropagandaMichaela ScharfChapter 10. The Media of Occupation: German Books and Photographs in France, 1940-1944Julia TorrieChapter 11. The Migration of Topoi from Atrocity Films to Their Heirs: Modes of Addressing the Audience in German Post-War CinemaBernhard GrossChapter 12. Finding an Unintended Audience: An SS Photo Album and Its Post-War EditionsUlrike KoppermannAfterwordJane Caplan |
