The Palgrave Handbook of Holocaust literature and culture : Victoria Aarons, Phyllis Lassner

The Palgrave Handbook of Holocaust literature and culture : Victoria Aarons, Phyllis Lassner

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Detalles Bibliográficos
Autores Corporativos:	Lassner, Phyllis (Editor )
Otros Autores:	Aarons, Victoria (Editor )
Formato:	Libro
Lenguaje:	English
Publicado:	Cham : Springer International Publishing, 2020
Edición:	1st edition 2020
Materias:	Judenverfolgung Judenvernichtung Literatur Aufsatzsammlung
Contenido/piezas:	Registros 42
Acceso en línea:	Inhaltsverzeichnis Zugang in den Räumen der Bibliothek

1. Wound marks in the air and the shadows within : A poetic examination of Dan Pagis, Paul Celan, and Nelly Sachs

2. We are a long ways past Maus : responsible and irresponsible Holocaust representations in graphic comics and sitcom cartoons

3. A reconsideration of sexual violence in German colonial and Nazi ideology and its representation in Holocaust texts

4. Primo Levi`s last lesson : a reading of The drowned and the saved

5. “At last to a condition of dignity” : Anthony Hecht’s Holocaust poetry

6. Troubled aesthetics : Jewish bodies in post-Holocaust film

7. Claustrophobic in the gaps of others : Affective investments from the queer margins

8. Reconsidering Jewish rage after the Holocaust

9. "I sometimes thought I was listening to myself" : identity-deliberation after the Holocaust in Chaim Grade’s “My quarrel with Hersh Rasseyner”

10. “Master Race” : graphic storytelling in the aftermath of the Holocaust

11. From Holocaust studies to trauma studies and back again

12. Vasily Grossman and Anatoly Rybakov : Soviet sources of historical memory of the Holocaust

13. The Nazi beast at the Warsaw Zoo : animal studies, the Holocaust, The zookeeper ́s wife, and See under: love

14. The dark side of Holocaust era poetry : Nazi poetry promoting Antisemitism and genocide

15. Approaching the Holocaust in the twenty-first century : introduction

16. The Holocaust in works by two Yiddish writers in Argentina : Simja Sneh and Israel Aszendorf

17. The challenges of translating Art Spiegelman’s Maus

18. Aryan feminity : identity in the Third Reich

19. The place of Holocaust survivor videotestimony : navigating the landmarks of first-person audio-visual representation

20. An iconic image through the lens of Ka-tzetnik : the murder of the mother and the essence of Auschwitz

21. Photographing survival : survivor photographs of, and at, Auschwitz

22. The Auschwitz women`s camp : an overview and reconsideration

23. X-Men at Auschwitz? Superheroes, Nazis, and the Holocaust

24. What we learn, at last : recounting sexuality in women’s deferred autobiographies and testimonies

25. Beckett`s Holocaust

26. When facts become figures : figurative dynamics in youth Holocaust literature

27. Edgar Hilsenrath’s Novels : Der Nazi & der Friseur and Berlin... Endstation

28. Transit and Transfer : between Germany and Israel in the granddaughters’ generation

29. “The relatedness of the unrelatable ” : the Holocaust as trope in Caryl Phillips’s The nature of blood

30. Jewish boys on the run : the revision of boyhood in Holocaust fiction and film

31. Holocaust drama imagined and re-imagined : the case of Charlotte Delbo’s Who will carry the word?

32. Holocaust memories and Polish Catholic identity : cultural transmutations of Warsaw Ghetto Uprising

33. Recrafting the past : graphic novels, the third generation, and twenty-first century representations of the Holocaust

34. Poetry of witness and poetry of commentary : responses to the Holocaust in Russian verse

35. Haunted dreams : the legacy of the Holocaust in And Europe will be stunned

36. Ghetto in flames : the Warsaw Ghetto Uprising in early postwar Jewish literature

37. Elie Wiesel`s quarrel with god

38. Refractions of Holocaust memory in Stanisław Lem’s science fiction

39. Wresting memory as we wrestle with Holocaust representation : reading László Nemes’s Son of Saul

40. Post-Soviet migrant memory of the Holocaust

41. Holocaust shoes : metonymy, matter, memory

42. Screen Memories : trauma, repetition, and survival in Sidney Lumet’s The pawnbroker