Mirroring evil : Nazi imagery/recent art ; [in conjunction with the Exhibition "Mirroring Evil: Nazi Imagery/Recent Art" at The Jewish Museum, New York, March 17 - June 30, 2002] / ed. by Norman L. Kleeblatt
Gespeichert in:
| Körperschaften: | Jewish Museum (BerichterstatterIn) |
|---|---|
| Weitere Verfasser: | Kleeblatt, Norman L. (BerichterstatterIn) |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: | New York : The Jewish Museum, 2002 New Brunswick, NJ [u.a.], 2002 |
| Schlagworte: |
| Inhaltsangabe |
|---|
| Foreword : Looking into the mirrors of evil / James E. YoungThe Nazi occupation of the white cube : transgressive images/moral ambiguity/contemporary art / Norman L. Kleebatt |
| Acts of impersonation : barbaric spaces as theater / Sidra DeKoven Ezrahi |
| Childhood, art, and evil / Ellen Handler Spitz |
| "Avant-garde and kitsch" revisited : on the ethics of representation / Lisa Saltzman |
| Playing the Holocaust / Ernst van Alphen |
| Playing it safe? The display of transgressive art in the museum / Reesa Greenberg |
| Keeping one's hands clean : six commissioned portraits of a perpetrator : Christine Borland's L'homme double, 1997 |
| Male fantasies of Hitler : confusing gender and identity : Roee Rosen's Live and die as Eva Braun, 1995 |
| Transforming images into symbols : Mischa Kuball's Hitler's cabinet, 1990 |
| The conflation of good and evil : Piotr Uklański's The Nazis, 1998 |
| A feminist rejoinder to Uklański's The Nazis : Elke Krystufek's Economical love series, 1998 |
| Impersonating the victim : consorting with history : Alan Schechner's Barcode to concentration camp morph, 1994, and It's the real thing--self-portrait at Buchenwald, 1993 |
| Impossible bedfellows : Adolf Hitler and Marcel Duchamp : Rudolf Herz's Zugzwang, 1995 |
| The villain speaks the victim's language : Boaz Arad's Safam, 2000, and Marcel Marcel, 2000 |
| Fascinating fascism : then or now? Maciej Toporowicz's Eternity #14, 1991 |
| Mirrors of innocence and violence : Alain Séchas's Enfants gâtés, 1997 |
| Toying with terror : Zbigniew Libera's LEGO concentration camp set, 1996 |
| Fashioning terror : Tom Sachs's Giftgas giftset, 1998, and Prada Deathcamp, 1998 |
| Staging depravity / Mat Collishaw's Burnt almonds (Gustav and Helga), 2000. |
